STUPID FUCKING BIRD (2015)
Content (c) 2023 Sideshow Theatre Company
"I'm a seagull. And seagulls can't act."
Back this summer with the original cast, see Sideshow's record-breaking show on the larger mainstage at Victory Gardens!
On the grounds of a country estate, two generations worth of Russians mope and love and hate and make a lot of bird-based metaphors. Sound familiar? It's Anton Fucking Chekhov versus the modern world in Aaron Posner's ballsy Stupid Fucking Bird. A smash-hit in Chicago, this heartbreakingly hilarious sort-of-adaptation of The Seagull takes a baseball bat to one of theatre’s most famous works and staunchly refuses to pick up the pieces. Sideshow's signature energy and wit are on full display in this very funny examination of what drives us to make art and find love.
Approximate run time: 2 hours, 15 minutes, including one intermission
Stupid Fucking Bird is recommended for mature audiences. Surprise.
July 23 - August 30, 2015
Začek McVay Theater at Victory Gardens
2433 N Lincoln Avenue
CAST
Nate Whelden
Matt Fletcher
Katy Carolina Collins
Norm Woodel
Nina O'Keefe
Stacy Stoltz
Cody Proctor
Nate Whelden
Con
Nate has worked in Chicago with Sideshow (Antigonick, Stupid Fucking Bird, Maria/Stuart, Idomeneus, Strangerland at Chicago Fringe Fest 2011, and Heddatron), the Goodman (Carlyle, New Stages Festival 2014), 16th Street Theatre (Pinoklandia), Jackalope Theatre Company (The Peacock), and The Ruckus (Common Hatred at RhinoFest). He has worked with Ensemble Studio Theatre (NYC) and in 2007 at the Hangar Theatre (Ithaca) as a member of the Lab Company. Nate graduated in 2008 from the University of Virginia with a degree in Drama and a minor in Afro American studies. He graduated high school in Guatemala City and grew up in Latin America. He is proud to be an ensemble member with Sideshow where he treads the boards as Charlie No Pants for the Chicago League of Lady Arm Wrestlers and helms Sideshow's new play development program, The Freshness Initiative. Nate sends love to his family, the gutter, the dirt, the youth of America and to Elizabeth Anne.
Matt Fletcher
Dev
Matt proudly serves as producing artistic director of Sideshow Theatre Company, where he was last seen in Mai Dang Lao and both iterations of Stupid Fucking Bird. Other performance credits include Idomeneus (Jeff Award for ensemble), The Golden Dragon, Tyrant, Heddatron, Theories of the Sun, Dante Dies!! (and then things get weird), and others (Sideshow Theatre Company); The Killer Angels (Lifeline Theatre); Failure: A Love Story (Victory Gardens); Common Hatred (The Ruckus); As Told by the Vivian Girls (Dog & Pony); Chicago Fire (NBC) and two seasons with The Lost Colony on Roanoke Island, NC. Matt received his BA in drama at the University of Virginia.
Katy Carolina Collins
Mash
Katy is an ensemble member with Sideshow where her credits include No More Sad Things (Jessiee), Stupid Fucking Bird (Mash) and Idomeneus (Monster/Ensemble). She also can be seen wrestling in CLLAW (Chicago League of Lady Arm Wrestlers) events as Hillary Rod-Arm Clinton. She has acted in Chicago with Chicago Shakespeare Theater, Steppenwolf, Goodman, Building Stage, Vintage Theater Collective, New Beast and Collaboraction. She is a stakeholder in the Backroom Shakespeare Project, co-founded Pivot Arts, created Chicago Movieoke, and is newly a cheerleader with Mucca Pazza. She graduated with a BFA from the University of Minnesota/Guthrie Theater Actor Training Program.
Norm Woodel
Sorn
Fresh from his win as “Best Supporting Actor” at this year’s Non-Equity Jeff Awards for his role as the Father in Griffin Theatre Company's Golden Boy, Norm is excited to be taking the stage with Sideshow for the first time. His Chicago stage credits include: Steep Theater’s highly acclaimed Festen and Tony winner Joe DiPietro’s F**king Men. Woodel’s television and film work includes Matlock, The Client, and a music video with Dolly Parton. He’s one of Chicago’s most successful voice over actors - voicing promos for CBS News and commercials for Subway to name a few.
Nina O'Keefe
Nina
Nina's credits with Sideshow include Chalk, Stupid Fucking Bird, The Ugly One and Heddatron. Nina was most recently seen in The Other Place (Profiles Theatre). Other credits include: Golden Boy (Griffin Theatre Company-Jeff Nomination for Best Supporting Actress); Bedroom Farce, After the Fall, Candles to the Sun and Democracy (Eclipse Theatre Company); Our Town (Lookingglass Theatre Company); Sketchbook 7 - "It's About Time" (Collaboraction) and work with About Face Theatre, Timeline, and Steep Theatre. TV/Film credits include Chicago PD, The Secret Santa, and The Discovery Channel. Nina is a proud graduate of the School at Steppenwolf and Millikin University. She is represented by Stewart Talent and an artistic associate of Sideshow Theatre. Love to Dad, Mom, Patrick, Erin and Erik.
Stacy Stoltz
Emma
Stacy was last seen in Cicada with Route 66 Theatre. She is a company member with The Hypocrites and The House Theatre and she has worked with Strawdog, The Michigan Shakespeare Festival and The Court Theatre. She was nominated for Jeff Awards for her work in Assisted Living at Profiles Theatre and for playing Stella in A Streetcar Named Desire at Writers' Theatre. Stacy performed off-Broadway in The Fourth Graders Present an Unnamed Love Suicide and she was seen on TV in The Chicago Code and Chicago Fire. She is represented by Paonessa Talent and she is very happy to be married to Matt Hawkins.
Cody Proctor
Trig
Cody Proctor is a Sideshow artistic associate. Sideshow credits: Stupid Fucking Bird and Idomeneus. Other credits include Chicago Shakespeare Theatre (Henry V, Othello), Oracle Theatre (The Mother), Goodman Theatre (The Iceman Cometh), Theatre Seven (We Live Here, The Water Engine), Red Tape Theatre (Brand), Lifeline Theatre (The Moonstone), and the Illinois Shakespeare Festival (Macbeth, Comedy of Errors, Failure: A Love Story, Richard III, Midsummer Night's Dream, Titus Andronicus, Taming of the Shrew). Cody is also a company member with Oracle Theatre and Alithea Mime Theatre and is represented by the glorious team at Grossman & Jack Talent.
PRODUCTION TEAM
Aaron Posner
Jonathan L. Green
Joe Schermoly
Noël Huntzinger
William C. Kirkham
Christopher M. LaPorte
Jay Tollefsen
Alison McLeod
Ryan Milosevich
Aaron Posner
playwright
Aaron Posner is a Helen Hayes and Barrymore Award-winning director and playwright. He is a founder and former artistic director of Philadelphia's Arden Theatre, an associate artist at both the Folger Theatre and Milwaukee Repertory Theatre. His adaptations include Chaim Potok's The Chosen and My Name Is Asher Lev (both of which have enjoyed successful runs at more than 50 theatres across the country and the latter of which ran for ten months Off-Broadway and won both the Outer Circle Critics Award for Best New Off-Broadway play and the John Gassner Award), as well as Ken Kesey's Sometimes a Great Notion, Mark Twain's A Murder, A Mystery, and a Marriage, an adaptation of three Kurt Vonnegut short stories, entitled Who Am I This Time? (and other conundrums of love). His Chekhov inspired Stupid Fucking Bird debuted at Woolly Mammoth and won the Helen Hayes Award for Outstanding Resident Play as well as the Charles MacArthur Award for Outstanding Play or Musical. It has received productions and awards from around the country. His second Chekhov adaptation Life Sucks premiered this season at Theatre J and his musical for young audiences The Gift of Nothing received a Helen Hayes Award for Outstanding Play and Musical Adaptation for its production at the Kennedy Center. Aaron was raised in Eugene, Oregon, graduated from Northwestern University, is an Eisenhower Fellow, and lives near Washington, DC.
Jonathan L. Green
director
Jonathan has been the artistic director of Sideshow Theatre since its founding in 2007. He has directed and assisted for Sideshow, Greenhouse Theater Center, Lookingglass, Steppenwolf, Goodman, Diversionary Theatre, Chicago Dramatists, Theatre Seven of Chicago, Pavement Group and the Earl Hamner, Jr. Theatre. Recent projects include truth and reconciliation, The Happiest Place on Earth, Antigonick, Stupid Fucking Bird, Idomeneus (Jeff Award for ensemble), and others. Recent dramaturgy credits include Blind Date, Objects in the Mirror, Gloria, War Paint, The Sign in Sidney Brustein's Window, and Disgraced, all at Goodman Theatre. Jonathan is a graduate of the University of Virginia, currently serves on the board of directors of the League of Chicago Theatres, and is the literary manager for Goodman Theatre.
Joe Schermoly
scenic designer
Joe is so happy to be back with Sideshow and Mr. Green working on this crazy play, having previously designed Idomeneus and The Ugly One. Joe is a Griffin Theatre company member where he has designed and built sets for many shows including Spelling Bee, Flare Path, Punk Rock, No More Dead Dogs, Port, Constant Wife. Elsewhere in Chicago, Joe's set design work has been seen at Lifeline Theatre (Tale of Two Cities, The Count of Monte Cristo, The City and The City), Theatre Wit (Seven Mammoths, Completeness), Strawdog Theatre (Duchess of Malfi, Master and Margarita, Richard III) and more. Joe studied set design at Northwestern University and is the technical director at Lifeline Theatre. He has received two After Dark Awards and two Jeff Nominations.
Noël Huntzinger
costume designer
Noël hails from Tulsa, Oklahoma and is a graduate of Oklahoma University. Noël is an artistic associate at Sideshow Theatre Company, where her credits include: truth and reconciliation, Stupid Fucking Bird and Antigonick. Noël is a resident artist at Filament Theatre, where her credits include Robin Hood, Van Gogh Café, Pinocchio: A Folk Musical, Hank Williams Lost Highway and others; and an ensemble member at Interrobang Theatre, where she designed Still, North Pool, Pitchfork Disney and others. Noël designed the 2016 New Stages at the Goodman: Blue Skies Process and Support Group for Men. Noël wrapped her first full-length film design, Olympia: an Instruction Manual for Everything, in the summer.
William C. Kirkham
lighting designer
William is thrilled to be back at Sideshow following the 2014 production of Stupid Fucking Bird. William has lit plays and musicals in 47 states and Canada for audiences of all ages; he was the 2014 recipient of the Joseph Jefferson Award for Lighting Design for The Little Prince at Lookingglass Theatre Company. Other Chicago credits include: The Tennessee Williams Project (The Hypocrites); A Year with Frog and Toad, Bud Not Buddy (Chicago Children’s Theatre); The Iron Stag King, Pt. 1 (The House Theatre); Life and Limb (Steppenwolf Theatre Company). Regional credits include: The Boy Who Loved Monsters and the Girl Who Loved Peas (Childsplay, AZ); The King and I, The Producers, Peter Pan, The Secret Garden (Arizona Broadway Theatre); The Phantom of the Opera (Vox Lumiere). Upcoming projects include: Three Sisters (The Hypocrites) and Moby Dick (Lookingglass Theatre).
Christopher M. LaPorte
sound designer
Christopher's recent design and composition collaborations include Life Sucks, Mr. and Mrs. Pennyworth (Lookingglass Theatre Company), and Roof of the World (Kansas City Repertory). Chris has collaborated on projects with many local Chicago companies such as Steppenwolf, Victory Gardens, 17 productions with Sideshow Theatre Company, Timeline, Porchlight, InFusion, Raven, University Of Illinois Chicago, Interrobang, Emerald City. Regional collaborations include Kansas City Repertory, Dallas Theatre Center, The Old Globe (San Diego), Center Stage (Baltimore), Arena Stage (Washington D.C.), Arsht Theatre Center (Miami), Denver Center for the Performing Arts, NY United Solo Festival.
Jay Tollefsen
properties designer
Jay is joining Sideshow Theatre Company for the first time and is excited to be providing props for Stupid Fucking Bird. Jay has designed and built props for Goodman Theatre, Actors Theatre of Louisville, American Players Theatre, Theatre 502, and Musical Theatre Louisville. Known for his ability to produce special effects, Jay’s self-igniting cigarette was used in multiple stagings of The Mountaintop, both in Louisville and at Fusion Theatre Company in Albuquerque, and his Dracula effects were featured in Stage Directions Magazine. When not working on theatre, Jay creates and produces puppets.
Alison McLeod
stage manager
Alison has had the pleasure of working with Cor Theatre (A Map of Virtue), Tibbits Summer Theatre (Treasure Island, The Look of Love, A Chorus Line, Beauty and the Beast, Guys and Dolls (Wilde Nomination), Jack and the Beanstalk), Fox Valley Repertory (Cheaper by the Dozen, Why Do Fools Fall in Love, Cinderella, Little Shop of Horrors), and Sideshow Theatre Company (The Golden Dragon, The Burden of Not Having a Tail, Maria/Stuart, Idomeneus (Jeff Award). Alison would like to thank her family and friends for all their love and support.
Brittany Ducksworth
assistant stage manager
Brittany is thrilled to join Sideshow as the company manager! A graduate of the University of Central Florida with degrees in marketing and stage management, her previous work with Sideshow has been as a stage manager on Stupid Fucking Bird, The Golden Dragon and 9 Circles. Other stage management credits include stage management intern on Brigadoon (Goodman Theatre), stage managing Les Liaisons Dangereuses, Gem of the Ocean (UCF), This Is Our Youth, Plaza Hotel Ballroom (Hangar Theatre); As Bees in Honey Drown, tick, tick, BOOM!, Love Letters (Stageworks Theatre), assistant stage managing The Little Mermaid, Suessical, Jr (Hangar Theatre), Veronica’s Room (UCF), and rehearsal stage managing The Little Dog Laughed (Stageworks Theatre).
Shelby Brody
assistant stage manager
Shelby is thrilled to join the SFB team. She is a graduate of Barnard College where her recent credits include The 121st Annual Varsity Show, Mad Girl’s Love Song, and Bloody Bloody Andrew Jackson. In 2016, she will complete the Juilliard School’s Professional Internship Program in stage management. Gratitude and love to her friends and family.
Aaron Shapiro
production manager
Aaron Shapiro is a Chicago based freelance production manager. His recent credits include Disenchanted and Unspeakable at the Broadway Playhouse, Jeff-nominated productions of Heathers with Kokandy Productions, The Rainmaker with American Blues Theatre, Stupid Fucking Bird with Sideshow Theatre, Dreamgirls, Far from Heaven, Sweeney Todd, A Funny Thing Happened, Side Show, and Jeff Award-winning productions of Ain’t Misbehavin’ and Sondheim on Sondheim with Porchlight Music Theatre where he is an artistic associate. Aaron was the founding artistic director for Oracle where he served for 4 years. He is also the co-founder of Studio BE/MCL Chicago in Lakeview where served as executive director for 5 years. Aaron has worked for over 80 different theatre and production companies, and educational institutions as an electrician, carpenter, sound engineer, designer, tech director, director, production manager, and producer.
Ryan Milosevich
technical director
Ryan is working for the first time with Carlisle Hart Productions. Other recent technical director credits include Sideshow’s Chalk, Stupid Fucking Bird, Tyrant, The Golden Dragon, and 9 Circles, and Citadel Theatre Company’s Little Women and Other People’s Money. Additional credits include work with Profiles Theatre, Rivendell Theatre Ensemble, Haven Theatre, The Hypocrites, Lookingglass Theatre Company, The New Colony, and American Blues Theater. Ryan is a graduate of Ball State University’s theatre design and technologies program and currently works at Ravenswood Studio Inc. creating a lot of other cool stuff.
PHOTOS
PRESS
"Exceptionally smart, exceptionally funny. One of the best off-loop shows of the season!"
Chris Jones, Chicago Tribune
Kris Vire, Time Out Chicago
"A genuine hit... Blackly comic perfection!"
Hedy Weiss, Chicago Sun-Times
"Smart, funny, irreverent and moving... an exceptional play!"
Barbara Vitello, Daily Herald
"Jonathan L. Green directs Sideshow Theatre's hit with grace and agility."
Justin Hayford, Chicago Reader
★★★★!
"One of the most stimulating and well-staged productions of any Chekhov play that I have ever seen."
Dan Zeff, Chicagoland Theatre Reviews
★★★★!
"With superb director, a knockout script, and a stellar cast, it's nearly impossible to not have a fucking good time at this show."
Taylor Wisham, Chicago Stage Standard
Jessie Bond, Splash Chicago
"Wickedly funny, intellectually serious... highly recommended!"
Jacob Davis, Chicago Critic
"A delightful two hours of smart theater...The actors perform superbly."
Nancy Bishop, Gapers Block
"[A] surprisingly smart gloss on Anton Chekhov's seminal 19th-century Russian drama."
Mary Shen Barnidge, Windy City Times
"Scathingly hilarious... Stupid Fucking Bird, simply put, is pretty fucking brilliant."
Joy Campbell, Chicago Theatre Beat
"Highly recommended... harsh, and vulnerable, and honest."
Ivy Perez, Chicago Theatre Review
"Bitterly sardonic... ferociously funny."
Lawrence Bommer, Stage and Cinema
"Twisted and very comical... filled with dark humor."
Ken Payne, Buzz News
by Aaron Posner
directed by Jonathan L. Green
July 23 - July 30, 2015
Začek McVay Theater at Victory Gardens
2433 N Lincoln Avenue
Approximate run time: 2 hours, 15 minutes, including one intermission
Stupid Fucking Bird is recommended for mature audiences. Surprise.
Back this summer with the original cast, see Sideshow's record-breaking show on the larger mainstage at Victory Gardens!
On the grounds of a country estate, two generations worth of Russians mope and love and hate and make a lot of bird-based metaphors. Sound familiar? It's Anton Fucking Chekhov versus the modern world in Aaron Posner's ballsy Stupid Fucking Bird. A smash-hit in Chicago, this heartbreakingly hilarious sort-of-adaptation of The Seagull takes a baseball bat to one of theatre’s most famous works and staunchly refuses to pick up the pieces. Sideshow's signature energy and wit are on full display in this very funny examination of what drives us to make art and find love.
Nate Whelden
Con
Nate has worked in Chicago with Sideshow (Antigonick, Stupid Fucking Bird, Maria/Stuart, Idomeneus, Strangerland at Chicago Fringe Fest 2011, and Heddatron), the Goodman (Carlyle, New Stages Festival 2014), 16th Street Theatre (Pinoklandia), Jackalope Theatre Company (The Peacock), and The Ruckus (Common Hatred at RhinoFest). He has worked with Ensemble Studio Theatre (NYC) and in 2007 at the Hangar Theatre (Ithaca) as a member of the Lab Company. Nate graduated in 2008 from the University of Virginia with a degree in Drama and a minor in Afro American studies. He graduated high school in Guatemala City and grew up in Latin America. He is proud to be an ensemble member with Sideshow where he treads the boards as Charlie No Pants for the Chicago League of Lady Arm Wrestlers and helms Sideshow's new play development program, The Freshness Initiative. Nate sends love to his family, the gutter, the dirt, the youth of America and to Elizabeth Anne.
Matt Fletcher
Dev
Matt proudly serves as producing artistic director of Sideshow Theatre Company, where he was last seen in Mai Dang Lao and both iterations of Stupid Fucking Bird. Other performance credits include Idomeneus (Jeff Award for ensemble), The Golden Dragon, Tyrant, Heddatron, Theories of the Sun, Dante Dies!! (and then things get weird), and others (Sideshow Theatre Company); The Killer Angels (Lifeline Theatre); Failure: A Love Story (Victory Gardens); Common Hatred (The Ruckus); As Told by the Vivian Girls (Dog & Pony); Chicago Fire (NBC) and two seasons with The Lost Colony on Roanoke Island, NC. Matt received his BA in drama at the University of Virginia.
Katy Carolina Collins
Mash
Katy is an ensemble member with Sideshow where her credits include No More Sad Things (Jessiee), Stupid Fucking Bird (Mash) and Idomeneus (Monster/Ensemble). She also can be seen wrestling in CLLAW (Chicago League of Lady Arm Wrestlers) events as Hillary Rod-Arm Clinton. She has acted in Chicago with Chicago Shakespeare Theater, Steppenwolf, Goodman, Building Stage, Vintage Theater Collective, New Beast and Collaboraction. She is a stakeholder in the Backroom Shakespeare Project, co-founded Pivot Arts, created Chicago Movieoke, and is newly a cheerleader with Mucca Pazza. She graduated with a BFA from the University of Minnesota/Guthrie Theater Actor Training Program.
Norm Woodel
Sorn
Fresh from his win as “Best Supporting Actor” at this year’s Non-Equity Jeff Awards for his role as the Father in Griffin Theatre Company's Golden Boy, Norm is excited to be taking the stage with Sideshow for the first time. His Chicago stage credits include: Steep Theater’s highly acclaimed Festen and Tony winner Joe DiPietro’s F**king Men. Woodel’s television and film work includes Matlock, The Client, and a music video with Dolly Parton. He’s one of Chicago’s most successful voice over actors - voicing promos for CBS News and commercials for Subway to name a few.
Nina O'Keefe
Nina
Nina's credits with Sideshow include Chalk, Stupid Fucking Bird, The Ugly One and Heddatron. Nina was most recently seen in The Other Place (Profiles Theatre). Other credits include: Golden Boy (Griffin Theatre Company-Jeff Nomination for Best Supporting Actress); Bedroom Farce, After the Fall, Candles to the Sun and Democracy (Eclipse Theatre Company); Our Town (Lookingglass Theatre Company); Sketchbook 7 - "It's About Time" (Collaboraction) and work with About Face Theatre, Timeline, and Steep Theatre. TV/Film credits include Chicago PD, The Secret Santa, and The Discovery Channel. Nina is a proud graduate of the School at Steppenwolf and Millikin University. She is represented by Stewart Talent and an artistic associate of Sideshow Theatre. Love to Dad, Mom, Patrick, Erin and Erik.
Stacy Stoltz
Emma
Stacy was last seen in Cicada with Route 66 Theatre. She is a company member with The Hypocrites and The House Theatre and she has worked with Strawdog, The Michigan Shakespeare Festival and The Court Theatre. She was nominated for Jeff Awards for her work in Assisted Living at Profiles Theatre and for playing Stella in A Streetcar Named Desire at Writers' Theatre. Stacy performed off-Broadway in The Fourth Graders Present an Unnamed Love Suicide and she was seen on TV in The Chicago Code and Chicago Fire. She is represented by Paonessa Talent and she is very happy to be married to Matt Hawkins.
Cody Proctor
Trig
Cody Proctor is a Sideshow artistic associate. Sideshow credits: Stupid Fucking Bird and Idomeneus. Other credits include Chicago Shakespeare Theatre (Henry V, Othello), Oracle Theatre (The Mother), Goodman Theatre (The Iceman Cometh), Theatre Seven (We Live Here, The Water Engine), Red Tape Theatre (Brand), Lifeline Theatre (The Moonstone), and the Illinois Shakespeare Festival (Macbeth, Comedy of Errors, Failure: A Love Story, Richard III, Midsummer Night's Dream, Titus Andronicus, Taming of the Shrew). Cody is also a company member with Oracle Theatre and Alithea Mime Theatre and is represented by the glorious team at Grossman & Jack Talent.
Aaron Posner
playwright
Aaron Posner is a Helen Hayes and Barrymore Award-winning director and playwright. He is a founder and former artistic director of Philadelphia's Arden Theatre, an associate artist at both the Folger Theatre and Milwaukee Repertory Theatre. His adaptations include Chaim Potok's The Chosen and My Name Is Asher Lev (both of which have enjoyed successful runs at more than 50 theatres across the country and the latter of which ran for ten months Off-Broadway and won both the Outer Circle Critics Award for Best New Off-Broadway play and the John Gassner Award), as well as Ken Kesey's Sometimes a Great Notion, Mark Twain's A Murder, A Mystery, and a Marriage, an adaptation of three Kurt Vonnegut short stories, entitled Who Am I This Time? (and other conundrums of love). His Chekhov inspired Stupid Fucking Bird debuted at Woolly Mammoth and won the Helen Hayes Award for Outstanding Resident Play as well as the Charles MacArthur Award for Outstanding Play or Musical. It has received productions and awards from around the country. His second Chekhov adaptation Life Sucks premiered this season at Theatre J and his musical for young audiences The Gift of Nothing received a Helen Hayes Award for Outstanding Play and Musical Adaptation for its production at the Kennedy Center. Aaron was raised in Eugene, Oregon, graduated from Northwestern University, is an Eisenhower Fellow, and lives near Washington, DC.
Jonathan L. Green
director
Jonathan has been the artistic director of Sideshow Theatre since its founding in 2007. He has directed and assisted for Sideshow, Greenhouse Theater Center, Lookingglass, Steppenwolf, Goodman, Diversionary Theatre, Chicago Dramatists, Theatre Seven of Chicago, Pavement Group and the Earl Hamner, Jr. Theatre. Recent projects include truth and reconciliation, The Happiest Place on Earth, Antigonick, Stupid Fucking Bird, Idomeneus (Jeff Award for ensemble), and others. Recent dramaturgy credits include Blind Date, Objects in the Mirror, Gloria, War Paint, The Sign in Sidney Brustein's Window, and Disgraced, all at Goodman Theatre. Jonathan is a graduate of the University of Virginia, currently serves on the board of directors of the League of Chicago Theatres, and is the literary manager for Goodman Theatre.
Joe Schermoly
scenic designer
Joe is so happy to be back with Sideshow and Mr. Green working on this crazy play, having previously designed Idomeneus and The Ugly One. Joe is a Griffin Theatre company member where he has designed and built sets for many shows including Spelling Bee, Flare Path, Punk Rock, No More Dead Dogs, Port, Constant Wife. Elsewhere in Chicago, Joe's set design work has been seen at Lifeline Theatre (Tale of Two Cities, The Count of Monte Cristo, The City and The City), Theatre Wit (Seven Mammoths, Completeness), Strawdog Theatre (Duchess of Malfi, Master and Margarita, Richard III) and more. Joe studied set design at Northwestern University and is the technical director at Lifeline Theatre. He has received two After Dark Awards and two Jeff Nominations.
Noël Huntzinger
costume designer
Noël hails from Tulsa, Oklahoma and is a graduate of Oklahoma University. Noël is an artistic associate at Sideshow Theatre Company, where her credits include: truth and reconciliation, Stupid Fucking Bird and Antigonick. Noël is a resident artist at Filament Theatre, where her credits include Robin Hood, Van Gogh Café, Pinocchio: A Folk Musical, Hank Williams Lost Highway and others; and an ensemble member at Interrobang Theatre, where she designed Still, North Pool, Pitchfork Disney and others. Noël designed the 2016 New Stages at the Goodman: Blue Skies Process and Support Group for Men. Noël wrapped her first full-length film design, Olympia: an Instruction Manual for Everything, in the summer.
Milliam C. Kirkham
lighting designer
William is thrilled to be back at Sideshow following the 2014 production of Stupid Fucking Bird. William has lit plays and musicals in 47 states and Canada for audiences of all ages; he was the 2014 recipient of the Joseph Jefferson Award for Lighting Design for The Little Prince at Lookingglass Theatre Company. Other Chicago credits include: The Tennessee Williams Project (The Hypocrites); A Year with Frog and Toad, Bud Not Buddy (Chicago Children’s Theatre); The Iron Stag King, Pt. 1 (The House Theatre); Life and Limb (Steppenwolf Theatre Company). Regional credits include: The Boy Who Loved Monsters and the Girl Who Loved Peas (Childsplay, AZ); The King and I, The Producers, Peter Pan, The Secret Garden (Arizona Broadway Theatre); The Phantom of the Opera (Vox Lumiere). Upcoming projects include: Three Sisters (The Hypocrites) and Moby Dick (Lookingglass Theatre).
Christopher M. LaPorte
sound designer
Christopher's recent design and composition collaborations include Life Sucks, Mr. and Mrs. Pennyworth (Lookingglass Theatre Company), and Roof of the World (Kansas City Repertory). Chris has collaborated on projects with many local Chicago companies such as Steppenwolf, Victory Gardens, 17 productions with Sideshow Theatre Company, Timeline, Porchlight, InFusion, Raven, University Of Illinois Chicago, Interrobang, Emerald City. Regional collaborations include Kansas City Repertory, Dallas Theatre Center, The Old Globe (San Diego), Center Stage (Baltimore), Arena Stage (Washington D.C.), Arsht Theatre Center (Miami), Denver Center for the Performing Arts, NY United Solo Festival.
Jay Tollefsen
properties designer
Jay is joining Sideshow Theatre Company for the first time and is excited to be providing props for Stupid Fucking Bird. Jay has designed and built props for Goodman Theatre, Actors Theatre of Louisville, American Players Theatre, Theatre 502, and Musical Theatre Louisville. Known for his ability to produce special effects, Jay’s self-igniting cigarette was used in multiple stagings of The Mountaintop, both in Louisville and at Fusion Theatre Company in Albuquerque, and his Dracula effects were featured in Stage Directions Magazine. When not working on theatre, Jay creates and produces puppets.
Alison McLeod
stage manager
Alison has had the pleasure of working with Cor Theatre (A Map of Virtue), Tibbits Summer Theatre (Treasure Island, The Look of Love, A Chorus Line, Beauty and the Beast, Guys and Dolls (Wilde Nomination), Jack and the Beanstalk), Fox Valley Repertory (Cheaper by the Dozen, Why Do Fools Fall in Love, Cinderella, Little Shop of Horrors), and Sideshow Theatre Company (The Golden Dragon, The Burden of Not Having a Tail, Maria/Stuart, Idomeneus (Jeff Award). Alison would like to thank her family and friends for all their love and support.
Brittany Ducksworth
assistant stage manager
Brittany is thrilled to join Sideshow as the company manager! A graduate of the University of Central Florida with degrees in marketing and stage management, her previous work with Sideshow has been as a stage manager on Stupid Fucking Bird, The Golden Dragon and 9 Circles. Other stage management credits include stage management intern on Brigadoon (Goodman Theatre), stage managing Les Liaisons Dangereuses, Gem of the Ocean (UCF), This Is Our Youth, Plaza Hotel Ballroom (Hangar Theatre); As Bees in Honey Drown, tick, tick, BOOM!, Love Letters (Stageworks Theatre), assistant stage managing The Little Mermaid, Suessical, Jr (Hangar Theatre), Veronica’s Room (UCF), and rehearsal stage managing The Little Dog Laughed (Stageworks Theatre).
Shelby Brody
assistant stage manager
Shelby is thrilled to join the SFB team. She is a graduate of Barnard College where her recent credits include The 121st Annual Varsity Show, Mad Girl’s Love Song, and Bloody Bloody Andrew Jackson. In 2016, she will complete the Juilliard School’s Professional Internship Program in stage management. Gratitude and love to her friends and family.
Aaron Shapiro
production manager
Aaron Shapiro is a Chicago based freelance production manager. His recent credits include Disenchanted and Unspeakable at the Broadway Playhouse, Jeff-nominated productions of Heathers with Kokandy Productions, The Rainmaker with American Blues Theatre, Stupid Fucking Bird with Sideshow Theatre, Dreamgirls, Far from Heaven, Sweeney Todd, A Funny Thing Happened, Side Show, and Jeff Award-winning productions of Ain’t Misbehavin’ and Sondheim on Sondheim with Porchlight Music Theatre where he is an artistic associate. Aaron was the founding artistic director for Oracle where he served for 4 years. He is also the co-founder of Studio BE/MCL Chicago in Lakeview where served as executive director for 5 years. Aaron has worked for over 80 different theatre and production companies, and educational institutions as an electrician, carpenter, sound engineer, designer, tech director, director, production manager, and producer.
Ryan Milosevich
technical director
Ryan is working for the first time with Carlisle Hart Productions. Other recent technical director credits include Sideshow’s Chalk, Stupid Fucking Bird, Tyrant, The Golden Dragon, and 9 Circles, and Citadel Theatre Company’s Little Women and Other People’s Money. Additional credits include work with Profiles Theatre, Rivendell Theatre Ensemble, Haven Theatre, The Hypocrites, Lookingglass Theatre Company, The New Colony, and American Blues Theater. Ryan is a graduate of Ball State University’s theatre design and technologies program and currently works at Ravenswood Studio Inc. creating a lot of other cool stuff.